BV studios: Clare Thornton Book News

Clare Thornton will be launching her latest artist book 'Corridors, Stairways & Corners: Selected Traces of Performance 1967-1998' commisioned by Arnolfini on Sat. 9th November FREE 5-7pm Reading Room.

For the launch she has invited two movement artists Laura Dannequin & Martha King to use the text as a score; a prompt to actions that will evolve throughout the Arnolfini building.

Stairways, Corridors & Corners
An alternative guide to the Arnolfini building

http://www.arnolfini.org.uk/whatson/stairways-corridors-corners

A bookwork produced during a six month period of research within Arnolfini's Dance Archive.

Drawing on documentary photographs, brochures and programme notes held in the Reading Room the artist has selected six performance pieces that took place at Arnolfini between 1976-1998.
Employing concrete poetry and cut-up techniques Stairways, Corridors & Corners is an invitation to you, the reader, to revive traces of performance in the building.

Clare also has an artist page featuring a new collaborative work Italic i in 'On Not Knowing: How Artists Think' with an essay by Emma Cocker Eds. Rebecca Fortnum & Elizabrth Fisher, Black Dog Publishing 2013 (ISBN: 1908966297)

http://www.amazon.co.uk/On-Not-Knowing-Artists-Think/dp/1908966297

www.clarethornton.com

www.axisweb.org/artist/clarethornton

Gallery

Founded in 2009 by artist Penny Jones, Motorcade/FlashParade was an artist-led project space in Bristol. It provided a platform for emerging artists, particularly from the South West region, and hosted an annual programme of exhibitions and events.
S
adly, practical considerations forced the closure of Motorcade/FlashParade at the end of 2013.

Motorcade set out to excite. We offered a tantalising vacuum to fill, an empty space ready for exploration, experimentation and adventure; where boundaries could be pushed, ambitions exceeded and where both artists and audience could be challenged.
Our full programme of solo and group exhibitions included a competition for curators - Blueprint, and the hugely popular INCUBE8 - a series of competitions offering artists their first major solo show. We also ran an annual Summer Residency, a mini-residency and exhibition for our team of volunteers, and our annual National Open Competition. We also hosted a range of other important activities to support contemporary practice, foster peer learning and invite participation from a wider audience.
Artist Ruth Piper added her organisational skills in November 2010, joined by Gordon Bonn. Julie McCalden joined in April 2011 and thus began Motorcade's strongest period. Our busiest year was in 2012... Arts Council funding enabled a glorious expansion to our programme and we showed some sensational work. Julie was integral to this intense year and when she left at the end of December 2012, she was very much missed.
Throughout the four years of its existence, Motorcade was supported by hosts of volunteers, always willing to give of their time and energies. In particular Garry Edison Cook, who time after time produced remarkable posters for our exhibitions. He also designed our brilliant logo and, not least, provided chilled DJ-ing at most of our Private Views.
Big thanks also go to Elizabeth Dismorr, Poppy Pitt (who established MotorMouth - regular peer critiques) and Charlie Cousins, who curated the last show, also Will Kendrick and Tom Johnson for their consistent technical support. Core volunteers included the redoubtable James Mark Whittet, Heather Wallace, Alex Hardy, Gareth Pitt, Lisa Friedberg, Joe Deighan, Charli Clark and Zara Bird-Wood, artists all. Gratitude and admiration extended also to Steve Norton, whose photographs of many of our PVs form part of his unique and invaluable archive of artist-led projects connected to the University of the West of England.

PENNY JONES